works

Orchestral

God Music Bug Music (2011) 12′

Scoring
3.3.3.3.,4.3.3.1., 4 percussion, piano, harp, strings
World Premiere
January 6, 2012, Minnesota Orchestra

Hush (2011) 14′

Scoring
1.1.1.1.,1.1.1., 2 percussion, piano, harp, vln, vln, vla, vc, db
World Premiere
September 9, 2011, Silver Spring, MD, Great Noise Ensemble
Press Quote:
“…gorgeous, playful work…not far from the crystalline soundworld often traversed by Björk.” –Jason McCool, The Pinkline Project

Music for Loss (2011) 8′

Scoring
2.2.2.2.,2.2.1., 2 percussion, celesta, harp, strings
World Premiere
December 8, 2011, Woolsey Hall, Yale School of Music, Yale Philharmonia

Nymphs (2013-14) 30′

Commissioned by the Alabama Symphony Orchestra

Scoring
2.2.2.2.,4.2.1.1., percussion, celesta, harp, strings
World Premiere
May 2, 2014, Alabama Symphony Orchestra
Press Quote:
“…it draws listeners immediately into Lash’s sound world, a trumpet and violin soloing above an effervescent texture of harp, celesta, and light pitched percussion.

“Lash has a keen sense for orchestration, which came across with suggestions of random flight and peaceful outdoor settings, beautifully woven into string and brass sectional passages. More than once, the work brought to mind the vaporous ambiance and fluid tonality of the Impressionists. Take Debussy (“Nocturnes,” “Images” come to mind), advance one century and superimpose Lash’s postmodern language and unique gift for color combinations. Of the many excellence ASO commissions in recent years, this is likely to have the most staying power..” –Michael Huebner, AL.com

This Ease (2013-14) 15′

Commissioned by the Los Angeles Chamber Orchestra

Scoring
2.2.2.2.,1.1.0.0., percussion, harp, strings
World Premiere
April 26, 2014, Los Angeles Chamber Orchestra
Press Quote:
“…atmospheric and melancholy… Lash [is] a sensitive orchestrator.” –LA Times

Chamber Music

C (2011) 5′

for vibraphone and piano (commissioned by Zuzanna Szewczyk)
World Premiere
November 3, 2011, Sprague Hall, Yale School of Music, Paul Kerekes and Michael Compitello

Filigree in Textile (2011) 17′

for harp and string quartet (commissioned by the Fromm Music Foundation for the JACK Quartet and Yolanda Kondonassis)
World Premiere
October 16, 2011, Miller Theatre, Columbia University, the JACK Quartet and Yolanda Kondondassis
Press Quote:
“…lively and interesting, with rapid major-to-minor shifts, creating a wonderful restlessness.” –Neil Prufer, I Care if You Listen

Folksongs (2010) 10′

for flute, percussion, and harp (commissioned by Ralph Kaminsky and Hester Diamond for the MAYA Trio)
World Premiere
March 25th, Symphony Space, NY, NY, MAYA Trio
Press Quote:
“…an appealing set…” –Allan Kozinn, NYTimes

Four Still (2004) 6′

for string quartet
World Premiere
2005, Harvard University, Arditti Quartet

Frayed (2009) 8′

for string quartet (written for the Jack Quartet)
World Premiere 05/07/10
Jack Quartet, Look and Listen Festival, NYC
Press Quote:
“…striking and innovative….you hoped to hear it again…” –Steve Smith, NYTimes

Friction, Pressure, Impact (2012) 15′

for cello and piano (commissioned by TwoSense)
World Premiere
October 2012, Roulette, NY, NY, Twosense

Glockenliebe (2011) 8′

for three glockenspiels (commissioned by Talujon Percussion)
World Premiere
December, 2011, DiMenna Center, NY, NY, Talujon Percussion

Moth Sketches (2013) 14′

for piccolo, trumpet, perc., harp, three violins, viola, cello, bass
World Premiere
October 3, 2013, Yale School of Music, Yale Philharmonia

November (2012) 5′

for three sopranos with hand percussion
World Premiere
TBA

Octet: Selves (2011) 17′

for the Hutchins Consort East (commissioned by the Hutchins Consort East)
World Premiere
January 26, 2012, The Tank, NYC, Hutchins Consort East

Subtilior, Lamento (2011) 14′

for flute, clarinet, piano, percussion, violin, and cello (commissioned by the Naumburg Foundation for the Da Capo Chamber Players)
World Premiere
May 2, 2012, Weill Hall of Carnegie Hall, the Da Capo Chamber Players

Three Shades Without Angles (2013) 8′

for flute, viola, and harp (commissioned by the Boston Symphony Orchestra)
World Premiere
Febrary 9, 2014, Jordan Hall, Boston, MA, BSO Chamber Players

Total Internal Reflection (2013) 20′

for string quartet (commissioned by the Great Lakes Chamer Music Festival and the Aspen Music Festival for the Jupiter Quartet
World Premiere
June 2013, Great Lakes Chamber Music Festival, Detroit, MI, Jupiter Quartet

Choral

From the Depths I Cry Out (2014) 12′

for SATB Choir: minimum 16 voices (commissioned by the Yale Choral Artists)
World Premiere
June 20, 2014, New Haven, CT, Festival or Arts and Ideas, Yale Choral Artists, Jeffrey Douma

Requiem Pro Avibus Mortuis (2012) 35′

for SATB Choir: minimum 24 voices (commissioned by the Park Avenue Christian Church)
World Premiere
April 22, 2012, Park Avenue Christian Church Choir, Paul Vasile

Vocal/Dramatic

Blood Rose (2010) 40′

Scoring
Alto, Countertenor, String Quartet
World Premiere
September 24, 2010, Park Avenue Christian Church,
Kirsten Sollek, Alto; Eric Brenner, Countertenor; JACK Quartet
Press Quote:
“…captivating….both daring and intelligently written…One never felt the absence of a full orchestra, for [Lash] provides a colorful array of textures, many of them quite beautiful.”
–Christian Carey, Musical America

Stoned Prince (2013) 25′

for male vocalist/actor, trumpet, trombone, bass clarinet (commissioned by Loadbang)
World Premiere
April, 2011, Symphony Space, Cutting Edge Festival, NY, NY

Violations (2012) 25′

for 3 high voices, two pianos, two vibraphones, and electronics (commissioned collectively through Kickstarter)
World Premiere
March 28, 2013, Yale School of Music

Solo Works

Piano Etudes (2012) 40′

for Lisa Moore
World Premiere
April 6, 2016, Miller Theatre, NY, NY

Secrets (2012) 8′

for trumpet and electronics (commissioned by Andy Kozar)
World Premiere
2013, The Stone, NY, NY

Stalk (2008) 6′

for solo harp
World Premiere
September 29, 2008, American Modern Ensemble, the Times Center,
Jacquiline Kerrod
Press Quote:
“…appealing…florid and introspective…”–Bruce Hodges